Joinin' Jamaroos!

It's funny...when I switched from 3D animation to technical development at Reel FX several years ago, I was pretty much ready to just let animation go and never do it again.  Even though several friends and colleagues responded to this change with comments like, "Once an animator, always an animator," I wasn't convinced.  I mean, animation at that time had sorta become an artsy synonym for "stress" in my book.  Why on earth would I want to pick it up again?

I bet you know where this is going.

Yup.  I'm animating again.

You know what else?

It's fun again!

Zap the zebra from Jamaroos

Early last week I sat down with Dale Carman, one of the co-founders of Reel FX, who had approached me about possibly contributing both creatively and technically to a side project of his called Jamaroos.  It's a series of interactive books for the iPhone and iPad (and related iDevices) that aims to entertain and engage young readers with fun stories and characters.  The first book in the series, Z is for Zap, is already available for the iPad on the iOS app store, with an iPhone version coming soon.

I quickly became interested in the project, and joined the Jamaroos team as a freelance animator/developer.  For now I'm helping to complete animation on the next book in the series, J is for Jag, but I hope to get a taste of the development side of things in the future.  And yes, I'll probably do a little voice work as well.  :)

So what makes animating on Jamaroos so fun?  After working on it for the past week or so, I think it has to do with simplicity: the characters are very simply designed and drawn, and the animation tool we're using has very simple controls for animating them.  This forces us to keep our animation simple, but don't think that simple means boring.  These books are all about rewarding kids' touches on the screen with entertaining moments, and I'm blessed to be creating these moments alongside my friend Barrett Lewis, one of my former Reel FX compadres and a creative lead on the Jamaroos project.  We're constantly throwing ideas back and forth, and are pouring all of our animation knowledge into these characters to make their performances as lively and whimsical as possible while working within the constraints of the animation tool.  I'm constantly amazed at what we're able to come up with using nothing but 2D images assembled into simple hierarchies, and animated mostly using position, rotation, and scale.  It's forcing us to think much more creatively, which just adds to the fun of it all once we see what we can actually pull off.

So yeah, I'm animating again, and I'm having a blast doing it.  What's more, I'm only doing it part-time, so I can do other work as well, like VO and acting...

...and maybe teaching?

More on that later.  ;)

Winnin' with minions, part 2

Dang, this just keeps gettin' cooler.  :)

Last night, another award was bestowed up on "Despicable Me: Minion Mayhem," the 3D ride film that was produced at Reel FX for the fine folks at Universal Orlando and Illumination Entertainment.  This one was from the Visual Effects Society, another of the major names in award-giving for the CG/VFX industry, and was for Outstanding Visual Effects in a Special Venue Project.

To win both an Annie Award and a VES Award in the same year may not be that big of a deal for some studios, but it's a huge deal for Reel FX.  Unless my memory is fading prematurely, the studio has never won an Annie Award, though several of its creations have been nominated in past years.  I'm not as clear about the VES awards.  I know the studio has submitted material in the past, and I think received nominations, but I don't recall if any VES awards have followed.  If someone at the studio sees this and can correct the record, I'll update the post accordingly.

Memory-fuzziness aside, to receive awards from both organizations in the same year is a major achievement for Reel FX, and I applaud my formerly-fellow studio minions for their amazing work on this project.  Even though I'm no longer with the studio, I was very deeply involved in the project while I was there, and couldn't be happier about this pair of awards.  While the bestowal of awards is never (or shouldn't be) the goal of any effort of this kind, it's wonderfully gratifying when one is received.  When that one becomes two, it's a double helping of awesomesauce.

Winnin' with minions

One of the final projects that I worked on at Reel FX before making the jump was "Despicable Me: Minion Mayhem," a ride film for Illumination Entertainment and Universal Studios.  It was a blast getting to work with Gru, the girls, and of course the ever-present minions, but it was quite a challenge at several levels, and many of the technical hurdles came across my desk at various points throughout the project's production.  I specifically remember spending several incredibly-late nights at the studio, feverishly cranking on code or troubleshooting problematic playblasts.  To say that I've got mixed feelings about the project is an understatement, so it was quite gratifying to surface from fixing some elusive technical issues on a freelance programming job to find reports that "Minion Mayhem" won for Best Animated Special Production in the Annie Awards!

Congratulations to all of my friends and former co-workers who poured their blood, sweat, and tears into the job.  Y'all done good, gang.  :)

Regrets?

Six months ago yesterday -- July 24, 2012 -- was my last day of full-time employment.

Six months ago today was the beginning of my full-time pursuit of my passions: primarily acting and voiceover, but not forgetting programming, as I still like to get my geek on.

I mentioned this to my wife yesterday, and her first question was, "Do you regret it?"

As I stood there and thought about everything that's happened in the past six months, I really didn't know how to answer that question. In an odd way, it feels like it's too soon to tell yet. I've definitely enjoyed the many new experiences that I've had during that time -- things that I never could have done if I still had a day job -- but there have been plenty of times when I've gone to bed a total mental and emotional mess because I had no idea how we were going to pay for the next big bill that was due in just a few days. So far, though, we've been blessed with lots of little miracles in those moments of madness...

• a friend would pay us to watch their dog while they're on a trip
• a long-awaited check from a previous job would finally arrive in the mail
• my wife would pick up a new piano student
• I'd pick up some extra hours at a seasonal job

...and the list goes on.

Thinking about possible regrets, there's only one that comes to mind readily: I regret not setting aside more funds before making the leap. The first couple months weren't so bad, but it's been getting progressively scarier since then, even with the little miracles that still pop up to save the day.

Do I regret it?

Let me get back to you on that. I've got work to do.

"Animate a Face" now online!

Wow!  It's been a while since I've written anything in this blog.  Not terribly surprising considering my career shift, but anyway, I've got some awesome news to share...

My "Animate a Face" tutorial videos are now available online!

For those who may not have heard of this product, the original was released in 2004, and was a 2 CD-ROM set containing 15 videos -- nearly 4 hours of fully-narrated screen-captured material -- all about the wonderful world of facial animation, including a couple detailed lip sync demonstrations.  As I was reviewing the videos to get them ready for uploading to MindBites, it was a little weird seeing such outdated animation software (I used Animation:Master v10.5, per my contract with Anzovin Studio).  However, as I've said numerous times about this product, it was created with a focus on principles over programs.  The core material is all about animation, and is just as useful now as it was then.  And now, it's a heckuvalot cheaper!  The original CD set made its debut at about $50 if I remember correctly, but on MindBites you can buy individual lessons for a buck or two, or the whole collection for less than $15!

If you want to really dig into facial animation, check out this material.  Happy animating!

Today is my last day at Reel FX. It's been a fun eight years, but it's time to move on. From here forward, it's all about getting on mic, on camera, or on stage. Thanks to everyone who has been a part of the journey so far. It's been quite a ride, and I can't wait to see what comes next!

One of the pieces that I animated several years ago ties in nicely with my feelings regarding the next phase of the journey. It's probably my favorite piece out of all the work that I did as an animator, in part because I had so much fun animating it, but also because it represents (in some small degree) the joy that I feel when I have the chance to perform. I hope that you enjoy watching it as much as I did being a part of its creation.

Change is coming

In one month, my life will change. Dramatically.

I initially discussed this change with my wife nearly a year ago, and we planned to take action at the end of last year, but it just wasn't the right time. However, after a few more months of planning and thought and prayer and work, things finally started to fall into place. I announced my plan at work on April 30th, and now it's time to share it here.

As of July 25th, I will no longer be working at Reel FX, and will be pursuing acting and voiceover (and some other creative interests) full-time.

I'm both exhilarated and terrified at the thought of what's about to happen, but as I've been telling many people recently, I can't not do this. Years ago I thought that I would be satisfied acting through animated characters. It took seven years to learn that I was wrong. I then thought that I would be satisfied working as a not-so-mild-mannered programmer by day and dabbling in voiceover on the side. It took four years to learn that I was wrong there, too. This fire is just too strong to burn "on the side." It's begging for my undivided attention, and in a month, I'll finally be able to satisfy that request.

FWIW, this blog -- and my justinanimator.com web site -- will likely change just a touch as a result of this transition, though the exact nature of that change is still unknown.  I still love programming and animation, and I'd like to think that I can keep sharing elements of those interests here, but only time will tell.  Keep an eye on this space for more info.

Let the countdown begin!